Lewiston in Western NY (just across the Niagara River from Canada), and its restaurants, wineries, local breweries -- and a couple of us artists and artisans who work in the context of food and wine -- will be involved in the quite swanky Taste of Lewiston May 26th from 10:00 am - 8:00 pm. 


Come and visit me to see my hand painted wine glasses, my greeting cards with food illustrations (and quirky but useful messages), and of course, my so-colorful paintings that use food to spark conversations and memories about life and family. 

Today I am excited that Artist Run Website has published a blog post about my paintings. You can find it at http://www.artistrunwebsite.com/blog/2495/The+Simple+Things+in+Life%3A+Art+by+Michelle+Marcotte


It is always interesting to hear what people have to say about my work. I would love to hear from you too! 




I am having a holiday sale by lowering the price on virtually all paintings by $100 - $200 and sometimes more! If you have had an eye on a painting, now is the time to buy! I have won two awards in juried shows this year, and my works are now being exhibited in Gainesville galleries as well as in Western New York. So, prices are bound to increase in the future.

Oh I have been having fun! After putting my wine glass down just one too many times at parties and then not being able to find it, or finding my lovely sister drinking what suspiciously looked like my wine glass, I have designed and handpainted several unique personal party wine glasses. They are dowright pretty! Loosely representing roses, crocus, lilies, iris, tulips and some that you just might have to figure out yourself. Colorful, dishwasher safe, non-toxic and fired using a professional quality ceramic enamel.


I also painted 12 champagne/prosecco glasses with a more complex design of a bunch of grapes outlined in gold vermeil, and beautifully painted in an impressionistic style. 


Also on www.sayitwithvegetables.com  you will find my greeting cards including my new religiously and culturally inclusive greeting card for the holidays (all the holidays!).



The following article by Michelle Marcotte was published by the Buffalo News on June 30, 2017



Buffalo News reporter Mark Sommer (June 10) reporting on the Allentown Art Festival. made a pithy observation when he wrote, “Yes, tens of thousands look at art in the hundreds of booths that line several streets. And they buy food from vendors.” True and True.


Artists, whose work does not usually provide enough income to live on, or even to pay for their art supplies, pay hundreds of dollars, each, to set up a booth at any of the several art festivals in Western New York. It is a lot of work to bring your paintings, photography, pottery, sculpture or jewelry, set up the booth and then, with hope in your heart, just watch people walk by, barely taking the time to look at your work, and rarely buying anything other than food. Fine artists, with more expensive works, very rarely, often never, sell anything. We offer a range of small things such as cards, calendars or plaques hoping to cover some expenses.


People flock to art festivals as a free, fun thing to do on the weekend. And the sales tell the story. People buy food from the many food vendors who do pay higher fees than the artists to be there. But artists, who actually provide the reason for the art festival, often sell very little art. I believe most of the artists do not sell enough to cover the cost of the booth space.


Essentially, artists are paying a hefty and increasing price to provide free entertainment for the public. We cannot afford to keep doing so. Festival organizers have used the funds to grow big organizations and to pay for other cultural events. Local businesses profit. People have a fun, free event. But artists, pay for it.  


Festival organizations that continue to increase costs for artists, without examining the effect on artists, without considering profit sharing, without considering even asking the tens of thousands of visitors for an entrance fee or donation, should realize they have built an unsustainable house of cards on the backs of artists. Arguing that some of the booth fees go to cash awards to a small handful of artists is not persuasive. The cash awards are often awarded to the same artists, and often to that cadre of professional out-of-town, travelling, art-festival artists. Again, these artist cash awards are taken from artists, those who can least afford it.  


Festival attendees who do not contribute towards the costs of the festival and who do not buy art from local artists should realize their free entertainment is not sustainable.


Artists are stuck. We need to sell our work. Art museums have no budgets, and sometimes no inclination, to buy the work of local artists. Grants, are few and far between and usually offer less than $3000 for a year’s work. Artists are supposed to be grateful for the ‘exposure’ of being in an art festival, but ‘exposure’ only pays the bills in very few, very shady, professions!


So here is what I suggest: festival organizers need to cut booth rentals for artists by half. Yes, this will mean less money for your organization, and this reduces the funds available for other culture events, but you have built your organization on an unsustainable premise. Approach government and local businesses to increase their sponsorship. Raise the rates for food vendors. Charge people $1-$2 per person to attend. Allow artists to share booths to further decrease their costs.


Visitors, you should contribute to the costs by paying an admission fee; even $1-$2 per person would help ensure festivals, and the artists who make it all possible, survive. And for heaven’s sake, buy art from local artists! Buy your paintings, pottery, garden sculpture, photographs, jewelry, gifts, etc., for your home, office and family from local artists. If that isn’t possible, buy their cards, calendars or whatever.   


Government funding organizations, should gather data on sales made by artists at the festivals to evaluate and report on the festivals to help improve artists’ incomes. Data about the economic spin festivals provide local communities is also needed. Don’t keep funding festivals that continue to raise rates for artists without making the fundamental business changes that will ensure sustainability for artists.


Michelle Marcotte is an artist in Lewiston. See her work at www.michellemarcotte.com


Hello foodies and art lovers. I will be exhibiting my original food paintings, some giclee originals and my greeting cards (www.sayitwithvegetables.com), at the Taste of Lewiston (NY) this Saturday from noon - 8:00 pm. Come and see my work while you enjoy the inexpensive tastings from numerous Lewiston restaurants 

www.sayitwithvegetables.com Greeting Cards feature vegetables, fruit, the occasional piece of cake and laughter.  Over 40 designs with warm, useful, amusing greetings for life's events and tricky situations.


Food is full of goodness; our world needs more goodness. Fun, difficult, tricky, warm, friendly, loving things need to be said, and we need to be nice to each other.

So, Sayitwithvegetables was born to help you say the fun, difficult, tricky, warm, friendly, loving and amusing things that need to be said, with goodness at heart.


About the artist

Sayitwithvegetables greeting cards are the brainchild of me, Michelle Marcotte, a Canadian-American painter, an artist, and foodie.  Ideas spring up from talking to family and friends, from life, from happy and sad events and in-between. I paint the ideas in oils on canvas with the same care that I paint my fine art paintings. I write each card thoughtfully. The cards are printed by small, family businesses. 

It is a new design approach. Each card is nice enough to be framed as a print in a 5”x7” frame. 

The Buffalo Society of Artists held their juried spring exhibit at the Keenan Center in Lockport NY. My painting, "In the summer of 2015, Ken picked the cherries from our tree, I made cherry cheesecake and our dog Annie Vick died." was given an award by juror wrote the following:


".......I would be remiss to not mention Michell Macotte’s painting, who fully embodied a sense of authenticity, and had one of the greatest titles in the exhibition. 


As the gallery director of a contemporary art gallery, who once was a practicing visual artist, one of my greatest joys is doing studio visits with artists.  This is an opportunity for me to get to know the work I am representing on a deeper level, “talk shop”, and understand the deeper context from which the artist is creating it.  I connect the dots by bringing this to my curated experience and also in my deeper discussions with collectors and visitors at our gallery.  While viewing the nearly 200 selections submitted for this show, I looked at each and every work as if I were doing a studio visit with the artist.   It was a joy and an honor to ‘visit’ with them all.    



John Brunelli

Director, Anthony Brunelli Fine Arts

Binghamton, NY